Nick Selenitsch,
Relief (grey /lime background) 2013,
Museum board, acrylic paint,
50 x 84.1 x 2 cm,
Courtesy of the artist and Sutton Gallery
Nick Selenitsch,
Relief (purple background) 2013,
Museum board, acrylic paint,
50 x 76.5 x 2 cm,
Courtesy of the artist and Sutton Gallery
Nick Selenitsch,
Line Markings, 2010,
Dimensions variable,
Installation view, Heide Museum 2010,
Image courtesy of the artist and Sutton Gallery, Melbourne
Annabelle Kingston
Annabelle Kingston, Nothin’ But Shell 2014
Acrylic on board, turtle frame
30 x 44 cm
Courtesy of the artist
Annabelle Kingston, Living A Bug's Life 2014,
Pen on paper, sports frame,
15 x 23 cm,
Courtesy of the artist
Annabelle Kingston, Sports 2014
Acrylic on board, basketball frame,
30 x 30 cm,
Courtesy of the artist
Annabelle Kingston,
Living A Bug's Life 2014
Pen on paper, sports frame
15 x 23 cm Sports 2014
Acrylic on board, basketball frame
30 x 30 cm Nothin' But Shell 2014
Acrylic on board, turtle frame
The position
of the
work relates to the children's
re-curation, Collingwood College
Image courtesy of the artist
Photographer Janelle Low
– The position of the work relates to the children's re-curation, Collingwood College
Room 13
Coal Primary School, 2005,
Documentary photography,
Dimensions variable,
Image courtesy of Robert Fairley, Coal Primary School,
and ROOM 13 International
Room 13
“One of the strange things about Gordon's pictures is that you would never know that the school community numbered over 200! Rarely does more than one figure appear” – Rob Fairley Artist in Residence.
Linzi worked in a variety of media. This being a photograph which documented a performance piece
“Jodie working on a new piece of art by sticking thousands of drawing pins through a huge 6ft square canvas ‘Time’ it was called.” – Rob Fairley Artist in Residence.
Linzi called “Certo, Idem Sum Qui Semper fui”
Photographs various,
Caol and Lochyside Primary School 2003–2007,
Mixed Media,
Dimensions variable
Installation view, Uneducated,
Photographs Caol and Lochyside Primary School 2003-2007,
DVD Documentary from BBC, “What age can you start being an artist”
Sean Peoples
Sean Peoples, Friendly Floatees 2014,
Single-channel digital video, colour, sound, 3:00 minutes,
Courtesy the artist
Simon & Tom Bloor
Simon & Tom Bloor
Image from Kurt Rowland, Learning to See (1968)
U.S. Govt news photograph of members of the US Women’s Reserve Camouflage Corps camouflaging the USS Recruit in Union Square, NYC, 1917
A selection of street documentation from Simon and Tom Bloor
A selection of street documentation from Simon and Tom Bloor
A selection of street documentation from Simon and Tom Bloor
Simon and Tom Bloor A sentence of shapes 2 2014
Acrylic
Dimensions variable
Courtesy the artists
Simon and Tom Bloor A sentence of shapes 3 2014
Acrylic
Dimensions variable
Courtesy the artists
Elizabeth Newman
Elizabeth Newman,
Self-portrait 2010,
Cushion, bricks,
59 x 48 cm,
Courtesy of the artist and Neon Parc.
Antonia Sellbach
Antonia Sellbach,
The (Evergrowing) Set' Permutation 62 2011,
Oil and Pigment on Somerset Rag Paper,
104 x 70 cm,
Courtesy of the artist
Antonia Sellbach,
The (Evergrowing) Set' Permutation 62 2011,
Oil and Pigment on Somerset Rag Paper,
104 x 70 cm,
Courtesy of the artist
Antonia Sellbach,
The (Evergrowing) Set' Permutation 62 2011,
Oil and Pigment on Somerset Rag Paper,
104 x 70 cm,
Courtesy of the artist
Dan Arps
Dan Arps,
Untitled (Powerful Women) 2014,
Acrylic,
Dimensions variable Fractal Study (Our Ancestors) 2011,
227mb video with 2 channel audio, 5 minutes looped for installation,
Courtesy the artist and Michael Lett Gallery and Neon Parc
Dan Arps,
Untitled (Powerful Women) 2014,
Acrylic,
Dimensions variable Fractal Study (Our Ancestors) 2011,
227mb video with 2 channel audio, 5 minutes looped for installation,
Courtesy the artist and Michael Lett Gallery and Neon Parc
Peter Tyndall
Peter Tyndall, Installation view, Uneducated ,
A Person Looks At A Work Of Art/,
someone looks at something (2014),
LOGOS/HA HA,
(FIAPCE Education Kit prototype),
Medium: A Person Looks At A Work Of Art/,
Someone looks at something,
CULTURAL CONSUMPTION PRODUCTION,
All Works Courtesy of the artist and Anna Swartz Gallery
Photographer Janelle Low
Peter Tyndall, Detail: ,
A Person Looks At A Work Of Art/,
someone looks at something (2014),
LOGOS/HA HA,
(FIAPCE Education Kit prototype),
Medium: A Person Looks At A Work Of Art/,
Someone looks at something,
CULTURAL CONSUMPTION PRODUCTION,
All Works Courtesy of the artist and Anna Swartz Gallery
Peter Tyndall, Detail: ,
A Person Looks At A Work Of Art/,
someone looks at something (2014),
LOGOS/HA HA,
(FIAPCE Education Kit prototype),
Medium: A Person Looks At A Work Of Art/,
Someone looks at something,
CULTURAL CONSUMPTION PRODUCTION,
All Works Courtesy of the artist and Anna Swartz Gallery
Peter Tyndall, Detail: ,
A Person Looks At A Work Of Art/,
someone looks at something (2014),
LOGOS/HA HA,
(FIAPCE Education Kit prototype),
Medium: A Person Looks At A Work Of Art/,
Someone looks at something,
CULTURAL CONSUMPTION PRODUCTION,
All Works Courtesy of the artist and Anna Swartz Gallery
Kym Maxwell
Kym Maxwell, Objects are associative 2014
Kym Maxwell,
Goodwill documentation 2013
Timber, fabric, string and lego tyres,
20 x 30 cm
Kym Maxwell,
Objects are associative 2014
Medium HD Video, 2 Channel Video work, wooden dowel, pine plinth, found table top, lost and found manipulatives: wood, cement and clothes
Dimensions variable,
All works Courtesy of the artist
The position of work relates to the children's re-curation, Collingwood College.
Image courtesy of the artist
Photographer Janelle Low
Nathan Gray
Nathan Gray,
Corners 2014,
4 channel audio,
Dimensions: variable,
Courtesy of the artist and Utopian Slumps
Nathan Gray
Install shot, Uneducated Corners 2014,
4 channel audio,
Dimensions: variable,
Courtesy of the artist and Utopian Slumps
Anastasia Klose
Anastasia Klose, Homage to Farnsworth 2014
Installation consisting of paper scroll, ink, pastel, dog hair, drool, dirt and a monitor playing
Loop of Farnsworth (4.26 mins) video. Music in video: Ennio Morricone, Sean's Song.
Dimensions variable,
Courtesy the artist and Tolarno Galleries
Peter Hill
Peter Hill
Peter Hill
Peter Hill
Peter Hill
Peter Hill
Peter Hill,Plotlatch 2014,
Dimensions variable,
Courtesy the artist
Peter Hill, Plotlatch 2014
Dimensions variable
Courtesy the artist
The position of work relates to the children's re-curation, Collingwood College.
Image courtesy of the artist
Photographer Janelle Low
DAMP
DAMP,
Installation view, Uneducated ,
Victoria’s Secret 2014,
Acrylic paint on polymer resin statue, polymer adhesive,
Courtesy of the artists
DAMP, Detail,
Victoria’s Secret 2014,
Acrylic paint on polymer resin statue, polymer adhesive,
Courtesy of the artists
Lane Cormick
Lane Cormick
Documentation of Neon Parc Show 2007,
Cook Mustard Beal Swan 2007,
2.6 x 5 metres,
Courtesy of the artist and Daine Singer Gallery
Lane Cormick
Detail: Cook Mustard Beal Swan 2007,
2.6 x 5 metres,
Courtesy of the artist and Daine Singer Gallery
Lane Cormick
Installation view, Uneducated ,
Cook Mustard Beal Swan 2007,
2.6 x 5 metres,
Courtesy of the artist and Daine Singer Gallery
Photographer Janelle Low
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